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Rebecca Nichloson is an innovative interdisciplinary artist (creative writer, theatre maker, singer/songwriter, and visual artist), as well as a communications specialist with expertise in public sector communications and public relations. She has written numerous essays and articles on literature, media and theatre, in addition to completing two television pilots: Human Behavior and American Wildwoods. She is the author of over a dozen full act, one act, and ten-minute dramatic works, such as Hello I’m Eve (winner of the 2013 Jane Chambers Student Playwriting Award), Remnants, Cooking with Keisha, Rose Out the Pavement, Collision with Cake, The Applicant, Big Black Pot, Chocolate Barbie, The Dramatist, Big Man/Little Man, Jemima, Charlie Horse, and Bird Man. Her works have been developed and work shopped at the following venues: The Playwright’s Center of Minneapolis (where she was a Many Voices Fellow for two residences), Harlem Classical Theatre (playwrights playground), The Fire This Time Festival, Signature Theatre Company (as part of Columbia University “New Plays Now”), Shakespeare’s Sister Theatre Company, Penumbra Theatre Company (Gym Workshop), Pillsbury House Theatre, Bedlam Theatre and Gremlin Theatre. Rebecca holds a M.F.A. in Playwriting from Columbia University School of the Arts and a M.A. in English Literature from Mercy College School of Liberal Arts. She is also the recipient of the Liberace Award, the Howard Stein Fellowship, the Matthew’s Fellowship, and an America-in-Play Fellowship. To learn more visit www.rebeccanichloson.com View all posts by Rebecca Nichloson